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About:

Based between Paris and Jerusalem, Anaëlle Attab-Azoulay is a jewelry designer and silversmith specializing in contemporary design and Judaica.
A graduate of the Bezalel Academy of Arts and Design (Jewelry and Fashion Department), her practice focuses on the intersection of traditional metalworking and conceptual exploration.
Her work investigates the relationship between form, texture, and symbolism, ranging from wearable jewelry to sculptural objects. Through a meticulous approach to craftsmanship, she explores the narrative potential of metal and the physical principles of balance and stability.
In addition to her studio practice, Anaëlle serves as a teaching assistant at the Bezalel Academy, working alongside professors Vered Kaminsky, Shahar Cohen, Shirly Bar-Amotz, and Yossi Farkash.
She currently develops her work at her studio located in Beit Ot Amutsar in Jerusalem, Israel.
 
 
Artist Statement:

My work sits at the intersection of sculpture and ritual, where the rigidity of metal meets the fluidity of a concept.
I approach jewelry and objects not merely as ornaments, but as metaphysical vessels, exploring the tension between traditional craftsmanship and contemporary abstraction.
At the heart of my practice is a constant quest for stability. I am fascinated by the encounter between opposing forces: the heavy and the light, the static and the moving. My creations often rely on a precarious yet deliberate balance, a visual translation of the search for equilibrium in our own existence.
Through the repetition of elements, spheres, lines, or geometric motifs, I create a rhythmic dialogue within the metal. These recurring forms act as links, weaving connections between structure and void. For me, metal is a living language; I don't just shape it, I engage with its resistance, its light, and its inherent gravity to reveal the essence of a form.

Shop Vision: 

My commercial approach is a natural extension of my creative ethics, guided by a commitment to sustainability and integrity, far from the dynamics of mass consumption. For me, success is not measured by sales volume, but by the deep satisfaction of the finished object, conceived in respect of my values. My shop exists primarily to support my artistic process, allowing each piece to fund future research and maintain a practice in harmony with my own rhythm.

I prioritize complete transparency through local and personal sourcing, collaborating with suppliers chosen for their expertise and the shared human values we hold. This standard distances my work from any aggressive or seasonal marketing: my prices remain fixed, without sales or discounts, as I believe an object never loses its intrinsic value. My wish is for each collector to choose a piece freely, with an awareness of the time and craftsmanship involved. Beyond the transaction, my goal is to know that the object will continue its life remaining faithful to the principles that brought it into being, creating a lasting bond between my vision and its new environment.
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